Tonia
Just a bit over a week until I move back to the bustling metropolis of Waco, and all of the nervousexcitement has been building up again.

You would think that after doing this twice, I wouldn't have butterflies about starting college...again.

It's my third year, and my third time to be facing new things simultaneously scary and thrilling. At first it was freshman year in its entirety, and last year it was being in a CL in a new hall and a new staff.

And you know, both turned out splendidly. Freshman year was incredible, and being a NoRo CL was better than I ever dreamed. I grew and grew through them both. I hope and pray that this time next year, I will be saying the same thing about changing my major to GTX and adding Creative Writing as a minor.

I don't like decisions I make myself: if it doesn't turn out the way I want it to, then guess what? My fault. [I learned that the hard way this summer.] . Understanding direction and His will have always been desperate points of panic for me. I feel like if I get on the wrong train, nothing can be right again; the whole trip is ruined. But all in all, I feel good about this one. I think I've done my best listening to whisperings and responding to nudges. I have no idea where any of this is taking me, and my mother's talk of picking a grad school makes me want to cry, but...cross my fingers, hope to die I think it'll be ok.

And now for a Billy Collins poem. It's relative, sort of. Well, really just to the fact that I'm minoring in poetry now. Anyways, enjoy :)




The Effort
Would anyone care to join me
in flicking a few pebbles in the direction
of teachers who are fond of asking the question:
"What is the poet trying to say?"

as if Thomas Hardy and Emily Dickinson
had struggled but ultimately failed in their efforts—
inarticulate wretches that they were,
biting their pens and staring out the window for a clue.

Yes, it seems that Whitman, Amy Lowell
and the rest could only try and fail
but we in Mrs. Parker's third-period English class
here at Springfield High will succeed

with the help of these study questions
in saying what the poor poet could not,
and we will get all this done before
that orgy of egg salad and tuna fish known as lunch.

Tonight, however, I am the one trying
to say what it is this absence means,
the two of us sleeping and waking under different roofs.
The image of this vase of cut flowers,

not from our garden, is no help.
And the same goes for the single plate,
the solitary lamp, and the weather that presses its face
against these new windows--the drizzle and the
    morning frost.

So I will leave it up to Mrs. Parker,
who is tapping a piece of chalk against the blackboard,
and her students—a few with their hands up,
others slouching with their caps on backwards—

to figure out what it is I am trying to say
about this place where I find myself
and to do it before the noon bell rings
and that whirlwind of meatloaf is unleashed. 
Tonia
There are few memories of my childhood (pre-10) that I can truly pin down when I try.

Mostly, images flit randomly across a screen between my ears--a dalmatian jumping against a screen door, the Eiffel Tower, a lizard in the garden, Mom telling Dad that the neighbor's yard smells like pot, and me being very much in love with one of the homeschool co-op kids when I was 7.

But one of few is clear.

I am about 6, and I am kneeling on my bedroom floor. The afternoon sun bathes the pepto-bismol walls and the wood floor. I am trying to pry bright pink play-doh out of the cracks in the floorboards. I suddenly look up as my mom calls my name. [I don't think I am supposed to be playing with play-doh.]

She tells me that a neighbor unknowingly ran over Wolfie, the best dog in the universe. The world stops.

The truth is, now I can't remember much of Wolfie, except that he was named for Mozart, and that my mom spoke to him in Spanish sometimes.

And yet I have this strange urge to visit his grave behind my grandmother's house every time I visit. It's been 14 or 15 years, true, but the blank cement brick in the ground under the apricot tree marks my first memory of loss.

But then, as I intimated in the previous post, I have odd nostalgic associations. I keep things.

Which is why it is hard to imagine that my grandmother will be selling her house soonish. Ok, well, not because of the dog buried in the backyard, but also because Opa and I planted a garden in the courtyard. And picked fruit from the back trees. And because Nano and I watched hummingbirds on her porch, and then went inside to play dominoes.
I have picked swiss chard,
chased lizards with my cousins,
taken awkward family photos (I insisted on holding an American flag to cover up the bruise on my arm. The bruise showed anyway),
chatted at dinner parties,
lined the driveway with luminarias,
and spent hours opening Christmas presents.

Amidst changing houses and parents and schools and friends, this house is what I have always been able to come back to. So, coming to grips with the fact that all this nacimientos and paintings will have to go somewhere else soon is a bit overwhelming.

But hey, a house is a house right? Memories are one thing, but people are another.

All that said, if you appreciate beauty at all, you should check out the virtual tour of the house--and you might come to understand where I got any of my personal style and love of color :)
enjoy! (Facebookers, you might have to click "view original post" to see it.)